Latent Flow Matching for Expressive Singing Voice Synthesis
Abstract
Conditional variational autoencoder (cVAE)-based singing voice synthesis provides efficient inference and strong audio quality by learning a score-conditioned prior and a recording-conditioned posterior latent space. However, because synthesis relies on prior samples while training uses posterior latents inferred from real recordings, imperfect distribution matching can cause a prior-posterior mismatch that degrades fine-grained expressiveness such as vibrato and micro-prosody. We propose FM-Singer, which introduces conditional flow matching (CFM) in latent space to learn a continuous vector field transporting prior latents toward posterior latents along an optimal-transport-inspired path. At inference time, the learned latent flow refines a prior sample by solving an ordinary differential equation (ODE) before waveform generation, improving expressiveness while preserving the efficiency of parallel decoding. Experiments on Korean and Chinese singing datasets demonstrate consistent improvements over strong baselines, including lower mel-cepstral distortion and fundamental-frequency error and higher perceptual scores on the Korean dataset. Code, pretrained checkpoints, and audio demos are available at https://github.com/alsgur9368/FM-Singer
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Research summary
The main contribution of this paper is the introduction of conditional flow matching (CFM) in latent space for singing voice synthesis, which addresses the prior-posterior mismatch issue in cVAE-based models. This work is significant as it not only enhances the expressiveness of synthesized singing voices—particularly in nuanced aspects like vibrato and micro-prosody—but also maintains the efficiency of parallel decoding, which is crucial for real-time applications. The proposed method builds on existing foundational works in audio synthesis, demonstrating a solid advancement in the field while offering a novel approach to latent space manipulation. The authors' affiliation with a well-regarded institution adds credibility, and the technical contributions are substantial enough to warrant recognition in the context of ongoing research in music synthesis.
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