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RESEARCH PAPER / 2026-05-19

Precise and Simple Audio-to-Score Alignment

Silvan Peter, Patricia Hu, Gerhard Widmer

Institute of Computational Perception, Johannes Kepler University Linz +4 · Music Encoding Conference (MEC) 2026

Affiliations: Institute of Computational Perception, Johannes Kepler University Linz, LIT AI Lab, Linz Institute of Technology

Abstract

Audio-to-score alignment is a long-standing challenge in music information retrieval and arguably the most widely applicable alignment task for music research. Alignment algorithms match two versions of a piece of music, and for this to work these versions need to be in comparable formats. Audio-to-audio alignment matches audio features; when matching audio files to scores, they must either synthesize the score or derive audio-like features by means of piano rolls or similar feature sequences. Symbolic alignment, by contrast, matches symbolically encoded notes; in an audio-to-score scenario these would be obtained by a transcription of the audio file. In this article, we present an algorithm that bridges audio-like and symbol-level features directly. Sequential audio features encoding onset and spectral activation are matched to score positions by a bespoke dynamic programming-based matching algorithm derived from symbolic alignment methods. The resulting method is both precise - surpassing widely used audio-to-audio approaches based on synthesized scores -, and remains flexible in its digital signal processing components, i.e., the method is adaptable to diverse timbral characteristics without requiring a separate transcription model. Furthermore it inherits some of the symbolic alignment runtime advantages with an algorithmic complexity that is at worst linear in the length of the (typically short) symbolic score and (typically long) audio feature sequence. In the following sections, we provide a detailed algorithm description and evaluate its alignment quality on a large-scale dataset of solo piano recordings.

The following analysis is generated by AI and may contain errors. It is separate from the authors’ abstract and is not peer review.

Research summary

The main contribution of this paper is the introduction of a precise audio-to-score alignment algorithm that effectively combines audio feature processing with symbolic alignment techniques, demonstrating significant improvements in alignment accuracy over traditional methods. This work is a meaningful step forward in the field of music information retrieval, showcasing innovative methodologies and practical applications.

Methodology

The paper presents a novel audio-to-score alignment algorithm that effectively bridges audio-like and symbolic features using a dynamic programming approach. The method is innovative in its direct matching of sequential audio features to score positions without requiring a separate transcription model, which is a significant advancement over traditional methods. The use of a bespoke cost function that incorporates onset, spectral, and stretch terms is well-justified and demonstrates a thoughtful integration of digital signal processing techniques. The algorithm’s linear complexity concerning the symbolic score length is a notable advantage, making it suitable for real-time applications.

Results & evaluation

The evaluation is conducted on a large-scale dataset of solo piano recordings, providing a robust basis for comparison against existing methods. The results show that the proposed method outperforms a baseline audio-to-audio alignment technique across all precision metrics, which is a strong indicator of its effectiveness. However, the paper could benefit from more detailed analysis of the dataset and potential biases, as well as comparisons with additional state-of-the-art methods beyond the mentioned baselines.

Reproducibility

The methodology is described in sufficient detail, and the implementation is made available on GitHub, which facilitates reproducibility. However, the paper lacks specific details on the parameter tuning process and the exact configurations used for the experiments, which could hinder replication efforts by other researchers.

Limitations

One limitation is the reliance on a specific type of audio (solo piano), which may not generalize well to other musical contexts or instruments. Additionally, while the algorithm shows promising results, it does not achieve the precision of symbolic alignment methods, indicating that there is still room for improvement. The lack of optimization for parameter settings also suggests that the performance metrics could potentially be improved.

Broader impact

This research has significant implications for music information retrieval and could enhance various applications such as music transcription, automatic accompaniment systems, and interactive music learning tools. By providing a more precise and flexible alignment method, it opens avenues for further exploration in the intersection of audio processing and symbolic music representation. The main contribution of this paper is the introduction of a precise audio-to-score alignment algorithm that effectively combines audio feature processing with symbolic alignment techniques, demonstrating significant improvements in alignment accuracy over traditional methods. This work is a meaningful step forward in the field of music information retrieval, showcasing innovative methodologies and practical applications.

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